11/1/2022 0 Comments Quintaesencia jazz blogspot![]() ![]() ![]() In “The Good Doctor”, British writer Warren Ellis pays homage to the popular pulp novels from the 40s. The heroes of yesteryear/ Los héroes de antaño In 1999 the Hark Corporation is one of the world’s largest and most powerful companies, but also one of the most sinister and dangerous. That’s another example of how the heroic nature of the progenitor can completely disappear in just one generation. Anna Hark, the daughter, takes her father’s money and inventions and turns it all into a corporation “in the Western mold”, and she quickly grows rich in America. In the 40s, Brass and Hark were close allies, however, as we saw in the first chapter, everyone dies violently except Axel Brass. Whatever happened to Doc Savage, The Shadow or Flash Gordon is as much as a mystery to the new generations as one could expect, after all, new readers are interested in new characters, or at least in new interpretations of the classic myths, but it’s very rare to see new readers revising material published before their parents were born.Īnother important aspect in this conversation is the Hark Corporation. Brass comes to the following conclusion “We crisscross the world, making it right, making it strange, and the people never see our coming or our going…”, which in a certain way is a metatextual reference to the origins and ends of the heroes that were popular more than half a century ago. And the latter shares with the former updates about the lives of the heroes of yore, such as Jenny Sparks or John Cumberland. And what better way to understand the world’s secret history than by asking directly to one of its protagonists? That’s how “The Good Doctor” (September 1999) begins, as Elijah Snow asks Axel Brass a number of biographical questions.īrass shares his memories with Snow. The world has a secret history, a hidden past, something that can only be unearthed by the Archeologists of the Impossible. Warning to the wary: Keith Jarrett, singer, is in rare groaning form on "I Hear a Rhapsody" and "Solar." (Richard S.Forget everything you were taught in school. ![]() While the Standards Trio rarely takes anything for granted, transforming everything in its path, the results are not quite as inventive here as on other releases, though Disc Two is clearly more interesting overall than Disc One. The other Jarrett composition, "U Dance," a carefree folk-like tune with a rhumba rhythm, closes the concert with a tribute to no one in particular. "Solar" (the Bill Evans tribute) has challenging, fractured interplay between Jarrett, Jack DeJohnette and Gary Peacock, and it directly segues into Jarrett's own obsessive "Sun Prayer," which seems to lose its way after a fine start. Almost every number has a reflective solo piano introduction, with one of the notable exceptions being Jarrett's rolling, convoluted opening variations on "All the Things You Are" ( Sonny Rollins). There is a concept this time, for all the standards carry a dedication to some jazz man or woman who performed them - and they are not predictable choices Lee Konitz for "Lover Man," "It's Easy to Remember" for John Coltrane, "All of You" for Miles Davis, etc. The Keith Jarrett Standards Trio gets back down to business with two CDs' worth of familiar and perhaps not-so-familiar tunes, recorded in one evening in Cologne, Germany. Format: Flac +Cue+Scans ( 771 MB) / MP3 320 Kbps+Scans (441 MB) ![]()
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